{"id":473,"date":"2024-06-26T11:49:20","date_gmt":"2024-06-26T11:49:20","guid":{"rendered":"http:\/\/bomuldification.test\/kunst\/kunstvevgarn\/"},"modified":"2025-06-26T20:42:47","modified_gmt":"2025-06-26T20:42:47","slug":"kunstvevgarn","status":"publish","type":"arrangement","link":"https:\/\/bomuldsfabriken.no\/en\/arrangement\/kunstvevgarn\/","title":{"rendered":"Hoelfeldt Lund Kunstvevgarn 75 \u00e5r (Grimstad) 03. jul.\u201327. jul."},"content":{"rendered":"
\"\"
Per jr. og Lily Holm med sp\u00e6lsaukillinger<\/em><\/figcaption><\/figure>\n

Hoelfeldt Lund Kunstvevgarn 75 \u00e5r (NB! Grimstad) \u2013 gruppeutstilling<\/p>\n

Bes\u00f8ksadresse: Arnevigveien 32, 4887 Grimstad
Utstillingsperiode: 03. juli\u201327. juli 2024
Onsdager 10:00\u201316:00, torsdag\u2013l\u00f8rdag 12:00\u201316:00<\/p>\n

Deltakende kunstnere:<\/strong>
Ann Cathrin November H\u00f8ibo, Agnes og Vebj\u00f8rn Guttormsgaard, Brit Fuglevaag, Brita Been, Lily Holm, Ragnhild Monsen, Sissel Blystad, Unn S\u00f8nju, Wenche Hoelfeldt Lund<\/em><\/p>\n

English info<\/a><\/em><\/p>\n

\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n

Med et kompromissl\u00f8st krav til kvalitet, dedikasjon til faget og respekt for sp\u00e6lsauen, har Hoelfeldt Lund gjennom 75 \u00e5r spunnet garn for Europas ledende tekstilkunstnere og institusjoner, som slott, r\u00e5dhus og operaer. Sp\u00e6lsauen, som nesten var g\u00e5tt ut av tiden, skulle bli brakt tilbake til tekstilkunsten av Else Hallings oppdagelser, i samarbeid med blant annet Norsk Kunstvevgarn. Den dag i dag er det ikke vanskelig \u00e5 spore Hoelfeldt Lunds p\u00e5virkning p\u00e5 moderne norsk tekstilkunsthistorie.<\/p>\n

Utstillingen er et samarbeid mellom Per Hoelfeldt Lund og Bomuldsfabriken Kunsthall.<\/p>\n

Tekst fra utstillingspamfletten<\/h3>\n

\u00abGarn er ikke bare garn\u00bb, skriver Helen Engelstad i 1956, og fortsetter: \u00abDet er en sannhet som alle der arbeider med strikking, veving og broderi har f\u00e5tt sanne.\u00bb[1]<\/a> Garnet, sier professor ved SIFO, Ingunn Grimstad Klepp, er \u00aben av menneskehetens st\u00f8rste oppfinnelser.\u00bb[2]<\/a> Garnet kler oss, varmer oss, lukter og lever. I vikingskipenes seil var sp\u00e6lsaugarnet grunnstoffet som lot de seile over Atlanterhavet, og hjemme har garnet v\u00e6rt byggesteinen i vakker billedvev. I Norge g\u00e5r vevkunsten helt tilbake til steinalderen.[3]<\/a><\/p>\n

Garnet m\u00e5 foredles og tas vare p\u00e5. I 1956 skrev Else Halling: \u00abHvis norsk billedvev skal ha kunstnerisk kvalitet og et s\u00e6rpreg som setter den i en klasse for seg, m\u00e5 materialet (\u2026) v\u00e6re i orden.\u00bb[4]<\/a> Hun fortsatte:<\/p>\n

\u00abTakket v\u00e6re et energisk arbeid og en omhyggelig sortering av ullen er det lykkes Per Hoelfeldt Lund og frue ved deres husflidspinneri p\u00e5 S\u00f8rlandet \u00e5 fremstille et meget godt garn for disse form\u00e5l og for andre prydtekstiler.\u00bb[5]<\/strong><\/a><\/em><\/p>\n

Lenge var kunnskapen om hvordan den eldre vevkunsten ble til, tapt for oss. I dag vet vi at billedvevene var lagd med ull fra sp\u00e6lsau. Den franske dikteren Charles Baudelaire (f. 1821), mente at det skj\u00f8nne inneholder et evig og uforanderlig element, og et relativt element som kan v\u00e6re moten, moralen eller lidenskapen. Kanskje tilb\u00f8d Norsk Kunstvevgarn med sp\u00e6lsauullen en taktil fornemmelse av nettopp dette evige, og kunstnerne fylte veven med samtidens rytme, klang og fargepalletter. Sp\u00e6lsauen, som nesten var g\u00e5tt ut av tiden, skulle bli brakt tilbake til tekstilkunsten av Else Hallings oppdagelser, i samarbeid med Norsk Kunstvevgarn. Og den dag i dag er det ikke vanskelig \u00e5 spore Per sr., Per jr., Lilys og Wenches innflytelse. Den unge tekstilkunstneren Ask Bj\u00f8rlo sier at han \u00abanser deres garn som noen av de fineste garnene.\u00bb[6]<\/a> Brita Been forteller at for henne \u00abble m\u00f8tet med ryegarnet kj\u00e6rlighet ved f\u00f8rste blikk.\u00bb Hun fortsetter: \u00abAlle mine tepper, med unntak av det aller f\u00f8rste, er siden vevet med dette garnet.\u00bb[7]<\/a> I H\u00e5konshallen, i Stortingets vandrehall og i seilet til Saga Oseberg ruver Norsk Kunstvevgarns materialer. Og har du en ekstra flott billedvev p\u00e5 veggen hjemme, kan du kjenne p\u00e5 det og du skal ikke se bort ifra at det er vevd med garn fra Arnevik g\u00e5rd.<\/p>\n

Denne teksten er skrevet i samarbeid med Per Hoelfeldt Lund jr., og forteller en liten flik av historien til Norsk Kunstvevgarn.<\/p>\n

<\/figure>\n
\n

[1]<\/a> Engelstad, Helen et al. Garn er ikke bare garn: Utstillingen av norsk ull: Avl, sortering, kvalitet. <\/em>Oslo: Statens kvinnelige industriskole, 1956, 1.
[2]<\/a> www.snl.no\/garn
[3]<\/a> Engelstad, Helen. Vevkunst.<\/em> Oslo: Mittet & Co, 1953, 105.
[4]<\/a> Engelstad et al., Garn er ikke bare garn, <\/em>22.
[5]<\/a> Ibid, 23.
[6]<\/a> Bj\u00f8rlo, Ask. Melding til undertegnede, 2024.
[7]<\/a> Been, Brita. Skriftlig uttalelse i anledning NKVs jubileum<\/em>, 2024.<\/p>\n

<\/figure>\n
<\/figure>\n

English<\/h2>\n

Hoelfeldt Lund Kunstvevgarn 75 Years (NB! Grimstad) \u2013 group exhibition<\/p>\n

Bes\u00f8ksadresse: Arnevigveien 32, 4887 Grimstad
Exhibition: 03. July\u201327. July 2024
Wednesdays 10:00\u201316:00, Thursday\u2013Saturday 12:00\u201316:00<\/p>\n

Textile works by:<\/strong>
Ann Cathrin November H\u00f8ibo, Agnes og Vebj\u00f8rn Guttormsgaard, Brit Fuglevaag, Brita Been, Lily Holm, Ragnhild Monsen, Sissel Blystad, Unn S\u00f8nju, Wenche Hoelfeldt Lund<\/em><\/p>\n

\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n

With an uncompromising demand for quality, dedication to the trade and respect for the sp\u00e6lsau<\/em> (Old Norwegian Short Tail Landrace)<\/em>, Hoelfeldt Lund has, for 75 years, spun yarn for Europe’s leading textile artists and institutions, such as castles, town halls and operas. The sp\u00e6lsau, which had almost gone out of time, was to be brought back to textile art by Else Halling’s discoveries, in collaboration with, among others, Norsk Kunstvevgarn<\/em> (Norwegian Art Yarn)<\/em>. To this day, it is not difficult to trace Hoelfeldt Lund’s influence on modern Norwegian textile art history.<\/p>\n

The exhibition is a collaboration between Per Hoelfeldt Lund and Bomuldsfabriken Kunsthall.<\/p>\n

Text from the exhibition pamphlet<\/h3>\n

“Yarn is not just yarn”, writes Helen Engelstad in 1956, and continues: “It is a truth that everyone who works with knitting, weaving and embroidery has found to be true.”[1] Yarn, says professor at SIFO, Ingunn Grimstad Klepp, is “one of mankind’s greatest inventions.”[2] Yarn dresses us, warms us, smells and lives. In the sails of the Viking ships, the sp\u00e6lsau yarn was the main material that allowed them to sail across the Atlantic, and domestic vice the yarn has been the key material of beautiful tapestries. In Norway, the art of weaving goes all the way back to the Stone Age.[3] <\/p>\n

The sp\u00e6lsau yarn must be refined and handled with precision. In 1956, Else Halling wrote: “If Norwegian tapestry is to have artistic quality and a distinctive character that sets it in a class of its own, the material (…) must be in order.”[4] She continued: <\/p>\n

“Thanks to energetic work and a careful sorting of the sp\u00e6lsau wool, Per Hoelfeldt Lund and his wife have succeeded in producing a very good yarn for these purposes and for other decorative textiles at their household spinning mill in Southern Norway.”<\/em>[5] <\/p>\n

For a long time, the knowledge of how the older art of weaving was created was lost to us. Today we know that the tapestries were made with wool from the sp\u00e6lsau. The French poet Charles Baudelaire (b. 1821) believed that the beautiful <\/em>contains an eternal and unchanging element, and a relative element that can be fashion, morality or passion. Perhaps Norsk Kunstvevgarn with the wool of the sp\u00e6lsau offered a tactile sensation of precisely this eternal, and the artists filled the weave with contemporary rhythm, sound and color palettes. The sp\u00e6lsau, which had almost gone out of time, was to be brought back to textile art by Else Halling’s discoveries, in collaboration with Norsk Kunstvevgarn. And to this day it is not difficult to trace the influence of Per Sr., Per Jr., Lily and Wenche. The young textile artist Ask Bj\u00f8rlo says that he “considers their yarns to be some of the finest yarns.”[6] Brita Been says that for her “the encounter with the sp\u00e6lsau yarn was love at first sight.” She continues: “All my carpets, with the exception of the very first one, have since been woven with this yarn.”[7] In H\u00e5konshallen<\/em>, in the Norwegian Parliaments walking hall and in the sail of the viking ship Saga Oseberg<\/em>, Norsk Kunstvevgarn’s materials tower over. And if you have an extra-beautiful tapestry on the wall at home, you can touch it and you should not ignore the fact that it could been woven with yarn from Norsk Kunstvevgarn at Arnevik g\u00e5rd (Arnevik farm). <\/p>\n

This text was written in collaboration with Per Hoelfeldt Lund jr., and tells a small part of the history of Norsk Kunstvevgarn.<\/p>\n

<\/figure>\n
\n

[1]<\/a> Engelstad, Helen et al. Garn er ikke bare garn: Utstillingen av norsk ull: Avl, sortering, kvalitet. <\/em>Oslo: Statens kvinnelige industriskole, 1956, 1.
[2]<\/a> www.snl.no\/garn
[3]<\/a> Engelstad, Helen. Vevkunst.<\/em> Oslo: Mittet & Co, 1953, 105.
[4]<\/a> Engelstad et al., Garn er ikke bare garn, <\/em>22.
[5]<\/a> Ibid, 23.
[6]<\/a> Bj\u00f8rlo, Ask. Melding til undertegnede, 2024.
[7]<\/a> Been, Brita. Skriftlig uttalelse i anledning NKVs jubileum<\/em>, 2024.<\/p>\n","protected":false},"featured_media":104,"template":"","meta":{"_acf_changed":true},"class_list":["post-473","arrangement","type-arrangement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nHoelfeldt Lund Kunstvevgarn 75 \u00e5r (Grimstad) 03. jul.\u201327. jul. - Bomuldsfabriken<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bomuldsfabriken.no\/en\/arrangement\/kunstvevgarn\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hoelfeldt Lund Kunstvevgarn 75 \u00e5r (Grimstad) 03. jul.\u201327. jul. - Bomuldsfabriken\" \/>\n<meta property=\"og:description\" content=\"Per jr. og Lily Holm med sp\u00e6lsaukillinger Hoelfeldt Lund Kunstvevgarn 75 \u00e5r (NB! 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