{"id":498,"date":"2023-12-19T13:53:03","date_gmt":"2023-12-19T13:53:03","guid":{"rendered":"http:\/\/bomuldification.test\/kunst\/the-soil-is-fertile-but-for-a-distant-seed-4\/"},"modified":"2025-06-26T20:44:27","modified_gmt":"2025-06-26T20:44:27","slug":"the-soil-is-fertile-but-for-a-distant-seed-4","status":"publish","type":"arrangement","link":"https:\/\/bomuldsfabriken.no\/en\/arrangement\/the-soil-is-fertile-but-for-a-distant-seed-4\/","title":{"rendered":"THE SOIL IS FERTILE BUT FOR A DISTANT SEED"},"content":{"rendered":"

HANAN BENAMMAR<\/strong><\/p>\n

6.1.2024 \u2013 18.2.2024<\/p>\n

\"\"<\/figure>\n

Bomuldsfabriken Kunsthall er stolte av \u00e5 presentere Hanan Benammars f\u00f8rste store separatutstilling. Utstillingen The soil is fertile but for a distant seed viser et bredt spekter av Benammars praksis fra 2012 og frem til i dag, fordelt over hele kunsthallens 2. etg.<\/p>\n

Hanan Benammars arbeid er basert p\u00e5 en langvarig konseptuell tiln\u00e6rming til landskap, omstridte omr\u00e5der og v\u00e5r felles voldshistorie. Hun unders\u00f8ker eurosentriske verdier og kolonialisme med metoder som kan virke kontroversielle, men tilbyr samtidig en arena for frigj\u00f8ring, forsoning og helbredelse. Tittelen p\u00e5 utstillingen er hentet fra artikkelen Planted Uprooted Grass i Arts of the Working Class nr. 26. Artikkelen belyser blant annet relasjonen mellom migrasjon, landskap, kapitalisme og tilh\u00f8righet.<\/p>\n

Hanan Benammar arbeider innen et bredt spekter av formspr\u00e5k; performance, skulptur, video, lyd og trykk. Arbeidene er ofte kollektive og dokumentere sider av kultur, tradisjon og historie som kan v\u00e6re vanskelig \u00e5 f\u00e5 \u00f8ye p\u00e5. Historie og kultur tilh\u00f8rer fortiden, men skapes ogs\u00e5 i n\u00e5tiden. Hvordan vi ser historien, er opp til hver og en av oss.<\/p>\n

The soil is fertile but for a distant seed er en kombinasjonen av raseri, vitenskap, politisk presisjon og sv\u00e6rt personlige utgangspunkter med en form som er inkluderende, leken og \u00f8m.<\/p>\n

Hanan Benammar (f. 1989 i Paris) er en algerisk og fransk kunstner bosatt i Oslo. Benammar arbeider konseptuelt mellom geopolitiske, milj\u00f8messige og sosiale forhold. Benammar er utdannet ved Kunstakademiet i Oslo, Dutch Art Institute i Nederland og Kungliga Konsth\u00f6gskolan i Stockholm. Hun har stillt ut p\u00e5 institusjoner som Kunsthal Charlottenborg (K\u00f8benhavn), Mediterranea 19 Young Artists Biennale (City of San Marino \u2013 San Marino), Edge of Wrong (Cape Town), Le Cube (Rabat), Black Box teater (Oslo), Ultima Contemporary Music Festival (Oslo), Bildmuseet (Ume\u00e5) og The Golden Bridge (Reykjav\u00edk). The soil is fertile but for a distant er hennes f\u00f8rste store retrospektive utstilling.<\/p>\n

Utstillingen \u00e5pner l\u00f8rdag 6. januar kl. 14:00.<\/p>\n

Enkel servering.<\/p>\n

Samtale mellom Hanan Benammar og Geir Haraldseth kl. 16:00.<\/p>\n

Geir Haraldseth er kurator og skribent. Utdannet ved Center for Curatorial Studies i New York og Central Saint Martin\u2019s i London. Haraldseth er kurator for samtidskunst ved Nasjonalmuseet i Oslo.<\/p>","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"class_list":["post-498","arrangement","type-arrangement","status-publish","hentry"],"acf":[],"yoast_head":"\nTHE SOIL IS FERTILE BUT FOR A DISTANT SEED - Bomuldsfabriken<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bomuldsfabriken.no\/en\/arrangement\/the-soil-is-fertile-but-for-a-distant-seed-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE SOIL IS FERTILE BUT FOR A DISTANT SEED - Bomuldsfabriken\" \/>\n<meta property=\"og:description\" content=\"HANAN BENAMMAR 6.1.2024 \u2013 18.2.2024 Bomuldsfabriken Kunsthall er stolte av \u00e5 presentere Hanan Benammars f\u00f8rste store separatutstilling. 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