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Opp ned er alt abstrakt \u2026 sa pappa<\/b><\/span><\/p>\n 2014 | DCP | 32 min<\/p>\n Jo, hun skj\u00f8nner jo det … at uten signatur er det fritt fram. Men allikevel … man kan ikke se bort fra tyngdekraften. Og noen trenger en sokkel for ikke \u00e5 falle ned.<\/p>\n <\/p>\n Anne Haugsgjerd<\/b> (f. 1944) er utdannet som grafisk formgiver ved Statens h\u00e5ndverk- og kunstindustriskole. Hun har siden 1986 arbeidet med b\u00f8ker, tidsskrifter og selvbiografisk film.<\/p>\n <\/p>\n Yes, she knows … that without a signature it’s free for all. But still … one cannot ignore gravity. And some need a pedestal to keep from falling.<\/p>\n <\/p>\n Anne Haugsgjerd (b. 1944) was educated as a graphic designer at the Norwegian National Academy of Craft and Art Industry. She has since 1986 worked with books, periodicals and autobiographical films.<\/p>\n <\/p>\n Director: Anne Haugsgjerd | Script: Anne Haugsgjerd | Photo: Anne Haugsgjerd | Editing: Terje Paasche| Music: Merete Mongstad | Sound: Merete Mongstad | Financing: Fond for lyd og bilde | Producer: Anne Haugsgjerd | Contact: Anne Haugsgjerd, Blomsterveien 3b, 1450 Nesoddtangen T: +47 92613362 E-mail: a.haugsgjerd@mac.com<\/p>\n <\/p>\n Club 7<\/b><\/span><\/p>\n 2014 | DCP | 25 min<\/p>\n Club 7 var motkulturens og hippiebevegelsens mest markante forum i Oslo fra 60-tallet og dr\u00f8yt 20 \u00e5r fremover. En symfonisk og assosiativ film som utforsker livsl\u00f8pet og samtiden til stedet som er blitt beskrevet som 20 \u00e5r med kontinuerlig improvisasjon.<\/p>\n <\/p>\n Even G. Benestad<\/b> (f. 1974) har tidligere regissert Amanda-vinneren Alt om min far<\/i> (2002) og Natural Born Star<\/i> (2007).<\/p>\n <\/p>\n August B. Hanssen<\/b> (f. 1976) har i l\u00f8pet av de siste ti \u00e5rene arbeidet hovedsakelig med dokumentarer, men ogs\u00e5 fiksjonsfilm. Benestad og Hanssen har tidligere co-regissert kinodokumentaren Pushwagner<\/i> (2011).<\/p>\n <\/p>\n Club 7<\/i> was the most distinctive Oslo forum for counter culture and the hippie movement from the 1960s and the following two decades. A symphonic and associative film exploring the years and the contemporary times of a place that has been described as 20 years of continuous improvisation.<\/p>\n <\/p>\n Even G. Benestad (b. 1974) has previously directed the Amanda-winning documentary All About My Father (2002) and Natural Born Star (2007).<\/p>\n <\/p>\n August B. Hanssen (b. 1976) has for the last ten years primarily worked with documentaries, but also fiction films. Benestad and Hanssen have previously co-directed the documentary Pushwagner (2011).<\/p>\n <\/p>\n Director: Even G. Benestad, August B. Hanssen | Photo: Even G. Benestad, Karianne Berge | Editing: Erik Andersson | Music: Topscore Sound: Bernt Syversen | Producer: Carsten Aanonsen | Contact: Karianne Berge, Indie Film, Ostadalsveien 35, 0753 Oslo, T: +47 97504300, E-mail: karianne@indiefilm.no<\/p>\n <\/p>\n B\u00f8lgeslag<\/b><\/span><\/p>\n 2013 | DCP | 2 min<\/p>\n B\u00f8lgeslag er basert p\u00e5 tre dikt fra Tor Ulvens diktsamling \u00abForsvinningspunkt\u00bb.<\/p>\n <\/p>\n Kristian Pedersen<\/b> (f. 1980) har studert visuell kommunikasjon ved Kunsth\u00f8gskolen i Bergen, og arbeider som selvstendig animat\u00f8r og formgiver i Oslo. I samarbeid med mikroforlaget Gasspedal<\/b> produserer og formidler han poesi-filmserien Gasspedal animert<\/i>.<\/p>\n <\/p>\n Waves is based on three poems from Tor Ulven’s poetry collection \u00abForsvinningspunkt\u00bb (\u00abPoint of Disappearance\u00bb).<\/p>\n <\/p>\n Kristian Pedersen (b. 1980) studied visual communication at Bergen Academy of Art and Design, and works as an independent animator and designer in Oslo. In co-operation with the small press publisher Gasspedal, he produces and promotes the poetry film series Gasspedal animert.<\/p>\n <\/p>\n Director: Kristian Pedersen | Script: Tor Ulven | Photo: Kristian Pedersen | Editing: Kristian Pedersen | Sound: Kristian Pedersen | Animation: Kristian Pedersen | Financing: Kulturr\u00e5det, Gyldendal | Producer: Harald Fougner, Audun Lindholm | Contact: Kristian Pedersen, Romsdalsgata 9a, 0556 Oslo, T: +47 90592371, E-mail: kristian.pdrsn@gmail.com<\/p>\n <\/p>\n Money Back, Please<\/b><\/span><\/p>\n 2013 | DCP | 11 min<\/p>\n N\u00e5r ei \u00e5tte \u00e5r gammel romani-jente g\u00e5r inn p\u00e5 et kj\u00f8pesenter for \u00e5 varme seg, kan folks fordommer bli satt p\u00e5 pr\u00f8ve. Vi velger ofte \u00e5 f\u00f8lge regler og prosedyrer i situasjoner hvor det eneste man beh\u00f8ver \u00e5 v\u00e6re er et medmenneske.<\/p>\n <\/p>\n Even Hafnor<\/b> (f. 1985) har filmutdannelse fra Australia. Hans kortfilm Det norske spr\u00e5k<\/i> ble vist p\u00e5 Kortfilmfestivalen i 2012. Money Back, Please<\/i> er Hafnors mest omfattende kortfilmprosjekt til n\u00e5.<\/p>\n <\/p>\n When an 8-year-old Romani girl enters a shopping centre to keep warm, people’s prejudices are put to the test. We often choose to follow rules and procedures in situations where the only thing you need to be, is a fellow human.<\/p>\n <\/p>\n Even Hafnor (b. 1985) studied film in Australia. His short The Norwegian Language was screened in Grimstad, 2012. Money Back, Please is Hafnor’s most comprehensive short film project so far.<\/p>\n <\/p>\n Director: Even Hafnor | Script: Trond Arntzen | Photo: Cecilie Semec | Editing: Sigurd Solen | Sound: Martin Tur Eriksen | With: Jeanne B\u00f8e, Silje Aas Meyer, Arne Vilhelm Tellefsen, Alexander de Senger, Line Marie \u00d8sterhus, Delia Borcoman, Nara Nyvoll Walker | Financing: S\u00f8rnorsk Filmsenter, Fond for lyd og bilde | Producer: Marte Blyseth Pedersen, Stine Blichfeldt | Contact: Stine Blichfeldt, De jentene der Filmproduksjon AS, Konows gate 30 m, 0196 Oslo, T: +47 40241064, E-mail: dejenteneder@gmail.com<\/p>\n <\/p>\n 15:05<\/b><\/span><\/p>\n 2014 | ProRes | 4 min<\/p>\n Videoen er basert p\u00e5 TV-reportasjer om den rituelle minnemarkeringen av det eksakte tidspunktet for Josip Broz Titos d\u00f8d \u2013 4. mai 1980 kl. 15.05, i l\u00f8pet av \u00e5tte sammenhengende \u00e5r (1981\u20131988).<\/p>\n <\/p>\n bull.miletic<\/b> best\u00e5r av Synne Bull<\/b> (f. 1973) og Dragan Miletic<\/b> (f. 1970), begge basert i Oslo. Arbeidene deres tar opp grunnleggende sp\u00f8rsm\u00e5l om hvordan levende bilder, arkitektur og digitale medier transformerer rammene for menneskelig erfaring.<\/p>\n <\/p>\n This video is based on news reports covering the commemorative ritual marking of the exact moment of Josip Broz Tito’s death \u2013 4th May, 1980 at 15:05, over eight consecutive years (1981\u20131988).<\/p>\n <\/p>\n bull.miletic consist of Synne Bull (b. 1973) and Dragan Miletic (b. 1970), both based in Oslo, Norway. Their works addresses basic questions of how moving images, architecture and digital media transform the frame of human experience.<\/p>\n <\/p>\n Director: bull.miletic | Editing: bull.miletic | Sound: bull.miletic | Producer: bull.miletic | Contact: bull.miletic, Jarlsborgveien 38, 0379 Oslo T: +47 40049366 E-mail: bull.miletic@yahoo.com<\/p>\n <\/p>\n Prosperous Mountain<\/b><\/span><\/p>\n 2013 | DCP | 16 min<\/p>\n Det globale mangfoldet av i planter blir raskt mindre. Klimaendringer og politiske konflikter truer internasjonale fr\u00f8banker. Et globalt hvelv har blitt konstruert i Arktis for \u00e5 lagre duplikater av plantefr\u00f8 for \u00e5 sikre verdens fremtidige matvareforsyninger.<\/p>\n <\/p>\n Heidi C. Morstang<\/b> (f. 1972) arbeider med levende bilder, foto og eksperimentelle dokumentarfilmer. Hennes arbeider er rotfestet i det fysiske, og hun interesserer seg for sosial, kulturell, mytologisk og arkeologisk historie forankret i landskaper. Hun anvender bilder for \u00e5 utforske de subtile forbindelsene mellom dem.<\/p>\n <\/p>\n Global plant diversity rapidly declines; climate change and political conflicts threaten the presence of international seed banks. A global seed vault has been constructed in the Arctic in order to store duplicates of food crop seeds and secure the world’s future supply.<\/p>\n <\/p>\n Heidi C. Morstang (b. 1972) works with moving image, photography and experimental documentary film. Her work is rooted in the physical and she is interested in social, cultural, mythological and archaeological history embedded in landscapes. She uses images to explore the subtle relationships between them.<\/p>\n <\/p>\n Director: Heidi C. Morstang | Photo: Patrik Safstrom | Editing: Heidi C. Morstang | Sound: Paul Donovan | Producer: Heidi C. Morstang | Contact: Heidi C. Morstang, Scott building 116, Plymouth University, Drake Circus, PL48AA Plymouth, UK T: +44 7984157468, E-mail: heidi.morstang@plymouth.ac.uk<\/p>\n <\/p>\n <\/p>","protected":false},"featured_media":390,"template":"","meta":{"_acf_changed":true},"class_list":["post-618","arrangement","type-arrangement","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n